Jamo Classic 6
Floor standing speakers
Diciembre de 1966. En el pueblo pesquero de Glyngore, Dinamarca, Preben Jacobsen decide fabricar equipos de altavoces de un meticuloso diseño, en un pequeño gallinero de su propiedad.
Dotado de excelentes conocimientos de carpintería y un amplio conocimiento de la tecnología acústica, comienza a desarrollar estos altavoces y en poco tiempo consigue una gran reputación que le sirve para comenzar a tener numerosos pedidos, ni más ni menos que un millón de equipos solo en 1968.
Creada oficialmente Jamo, en 1994, se convierte en el mayor fabricante de altavoces de Europa. En 1998, se vendieron más de 11,5 millones de unidades.
En 2005 Klipsch Group, Inc compra la empresa culminando así su éxito.
VENDO sólo altavoces : 400€
(Equipo Tecnichs + altavoces JAMO : 800€)
Adquirir una pareja de altavoces como éstos nuevos de similares características te costaría actualmente de 200 a 250€ /unidad
Ya que está descatalogado, no hay referencia de precios; pero rondaría en similares, los 200-300 € /unidad
-Specifications
Type: 2 way, 3 driver loudspeaker system
Frequency Response: 40Hz to 20kHz
Power Handling: 100W
Crossover Frequency: 2500Hz
Impedance: 4Ω
Sensitivity: 90dB
Bass: 2 x 133mm cone
Tweeter: 1 x 25mm dome
Enclosure: bass reflex
Finish: black, mahogany, cherrywood
Dimensions: 840 x 200 x 290mm
Weight: 13.4kg
Price: USD $650
Strict appearance of a system by the famous Danish company Jamo quite corresponds to the name of its series - Classic. Sound palette is a different story. It is a difficult task to generate a noticeable and always necessary low-frequency stream, the depth of which forms the basis of character of many musical compositions. It seems that what was mentioned above by no means relative to Jamo Classic 6. Listening to the dynamics of Deep Purple or Dire Straits recordings, to the sound of drums and baa-guitar, it was hard to believe in evident: the system not only has the possibilities to compete with taller and broader in the shoulders colleagues, but is able to succeed in this field. Impressive and confident bass is transferred in all its glory. High transparency of the medium frequencies, slightly depending on volume level, allows saving the expressiveness of vocal, the richness of which forms countless numbers of nuances. We can't stand to plead the voice of Kari Bremnes, because the interpretation of his voice by the system Classic 6 was one of the most subtle. High frequencies, providing good detailing and contrast of the image without any association with sharpness or excessive underlining, appears in harmony with middle ones. The synthesized image is open and airy. For fairness' sake we can note some singularity in the organization of scenic space, appearing in the weakening of its unity and at the same time in a relatively low spatial resolution .